Brand Site/Branding Campaign
Spark
We were asked by Atletico International to convert their stunning new Campaign for REPLAY your fragrance! into the Realm of the Digital. ‘One Drop of Water Can Replay Your Fragrance.’ - A Brand Promise based on technical Research culminating in this new Fragrance. Our initial Launch Pad: the spectacular Watercolour Drawings by Artist Stina Persson. PSYOP NY used flowing Colours to reproduce the Art Work for the TVC. We took the Idea a step further: we reverse-engineered the Drawing Process and developed a Tool that allows each User to create their own Watercolour Painting. Replay your Fragrance. Repaint your Image - and spread it!
Dark
A Big Idea that works perfectly across different Touch Points. Unfortunately, not all our Ideas made it into the first Campaign Flight. Ideas about Gesture-Based Interactive Digital Shop Windows, Public Life Painting Projections and iPhone apps are still waiting to get replayed.
Recognition Design Journal / spyline / Flash Allstars / irie
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Comps/Contribution
Spark
Design is Kinky is publishing the new Edition of their Annual Semi-Permanent Books which will be used during their upcoming Semi-Permanent Events in Melbourne and Perth.
‘But what is Semi-Permanent? First of all, Semi-Permanent is a Design Event. In Addition to a Major Conference, there are a Number of Side Events taking Place including Exhibitions, Competitions, Workshops and Parties. In other Words, it’s a Week long Celebration of all Things ‘Design’. From Graphic Design, Film, Art and Illustration, to Web Design, Photography and Visual Effects, to Animation, Graffiti, Motion Graphics and Stop Motion; all these Things and More.’
Dark
‘Gospel’ is a 2-part Design I developed exclusively for this Book. But as is so often the Case, there’s no Guarantee that the Piece will make it into the final Selection. The Deadline is October, so let’s see. Meanwhile, I’ll crack on.
Recognition Netdiver Magazine {ISSN 1911-866X} / Designers’Couch
Directed Photography/Collaboration
Spark
On Set during a Product Shoot for La Prairie, the Photographer Attila Hartwig and I developed the Idea to incorporate Mind Maps into liquid Surfaces and, at the same Time, photographically document the Processes of Overlapping and Transformation of these Mind Snippets.
Dark
The Idea didn’t survive long, it simply failed the Reality Check. But in Return this Series of Images originated from our initial Concept - a Gift of manipulated Chance.
‘Black and White may be the greatest Act of Resistance now available to us.’
Felix Gonzales-Torres quoted from: Hans-Ulbricht Obrist: Wolfgang Tillmans. Conversation Series.
Recognition Behance Feature / Computerlove™ / zeroin / QBN
Publication/Interview
David Zheng, Founder of Hong Kong based NewWebPick.com
invited me to participate in ‘Crossover Design’, the first printed Form
of the NewWebPick Electronic Magazine. I’m delighted to be featured
in this Interview and more than a little proud to be represented
by these Images.
‘‘Crossover’ is not only a trendy Expression in the international Fashion Community
but has also conquered the Design World with its incomparable Magnetism. Designers
have crossed over from their customary Field of Expertise to a new Design Field, and
created a sparkling and magnetic Feeling by blending Elements that either had nothing
to do with one another, or at odds and, even completely opposed at Times.’
Crossover Design. A Publication by NewWebPick and Cypi Press.
WebSpecial, MicroSite
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Volkswagen is launching a global MicroSite to support their Cross-Media ‘BlueMotion Technologies’ Campaign. We’ve developed a storytelling Approach that follows three Drivers in three international Cities who are given Advice about environmentally aware Driving and Cost Saving on their Way through heavy Road Traffic. The biggest Challenge: How do we connect the three Stories authentically with each other but without going beyond our Budget for the Job.
Spark
We found a Solution in creating Filmic Compositions that are made of High Resolution Photographic Images. Shooting in Berlin, Munich based Photographer Frank Bauer took three stunning, greatly atmospheric Series, which Art Directors Heiko Keppel and Corinna Vidic then mounted in a reduced Layout employing Split-Screen Technique and Animation Dramaturgy.
Recognition spyline
Stories
Live Streaming Platform/Branding
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The most fanatical Supporters of the best Symphony Orchestra in the World live in the United States and East Asia, where Concerts and entire Tours are sold-out Years in advance. So, why not built a Digital Concert Hall - as a Substitute for the confined Space - that offers existing and new classical Music Lovers around the World to discover a unique Experience of Live-Streaming Concerts in the highest possible Quality? A great Honour for us to take on such an innovative and creative Challenge for this exciting Brand. The first specialised Online Classic Portal, Live and in Full-HD.
‘That’s how Web TV for large cultural Institutions should look like.’
LeadAcademy Principal Markus Peichl
‘Then there’s the Digital Concert Hall: the most successful Orchestral Live-Streaming Project on the Web. It’s a Sign of the Times that the World’s most tradition-bound Ensemble is now a Web Trailblazer, opening up the hallowed Halls of Berlin’s Philharmonie to an infinitely wider Audience.’ The Guardian
Spark
The basic Idea for both the Layout and Motion Aesthetics of the Application derive from a Realtime Concert Experience and encounter with Hans Sharoun’s complex yet balanced, democratic and timeless architectural Work. Quoting Max Frisch: ‘I feel guided as if walking through a Labyrinth, - guided, not lost – guided by the Spirit of the Space itself. Guided by the Pleasure that unfolds. […] beguilingly guided by the Architect’s Wit.’
Awards ADC Global 2009 - Gold Cube Interactive / One Show Interactive 2009 - Bronze Pencil / LeadAwards - 2009 - Gold / New York festivals interactive advertising award 2009 - Best Use of Medium/Website - Gold WorldMedal / New York festivals interactive advertising award 2009 - Entertainment Promotion - Silver WorldMedal / The FWA [Favourite Website Awards] Site Of The Day Award - 2009 / Golden Award of Montreux 2009 - Finalist / Cannes Cyber Lions 2009 - Shortlist / WPPED Cream Awards - Highly Commended
Press Feedback Deutsche Bank / dpa / FAZ / Financial Times / Press Release LeadAwards / SZ / The Korea Times / The Guardian / The New Yorker / YouTube Channel / ZEIT
Promotional Trailer/Image Spot
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The Brand JUVENA was past its Peak, and we were called to rescue the falling Star and bring it back to Light. Our secret Weapon: ‘MasterCream’, the newest Development from Beiersdorf, an exclusive, premium-quality and high-priced skin-rejuvenating Care Cosmetic.
Spark
To ensure the Brand’s strategic Repositioning, we initially put a Multi-Channel Launch Campaign for ‘MasterCream’ into Action. For the Client’s internal sales Purposes, we developed an Image Spot that stunningly demonstrates the Brand’s Evolution from Past/Dark to Now/Spark. The Pace of the Spot is determined by Thorsten Minning’s dramatic Sound Design.
Brand Site/Shop
Dark
The La Prairie Styleguide is tough. Like in classic Swiss Design, the applicable Design Elements are limited to the very Basics. Perfection is achieved not when there is nothing left to add, but when there is nothing left to take away.
Spark
In the Digital Space however, classic Design Categories are extended in the Dimensions of Time, Space and Interaction. The following are two different Approaches for the new La Prairie Online Appearance:
Capture the Magic! Move around the Sculptural Arrangements and marvel at their Beauty. Stop Time for a Moment and indulge in the Magic of La Prairie! And an Analogy to a successful Retail and La Prairie Outlet Practice: a Celebration of the Icons in a virtual Treasure Chest - an illuminated Cube.
Pitch/Brand Site
Spark
We set out to re-shape the Jewel Brand of the Beauty Industry and eventually won over La Prairie’s Interactive Marketing Budget. The general Approach was to create a fresh, clean state-of-the-art Design that implies Credibility, Precision and Attention to Detail like a Swiss Clockwork. Its true seductive Magic, however, unfolds beneath the Surface. The Images were created in Cooperation with the Berlin based Photographer Attila Hartwig.
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A tough, two-stage Beauty Contest that kept us in Suspense for more than five Months. The most fascinating Aspect: In the second Stage we were challenged to a Layout Duel by a French Agency highly rewarded in the Beauty and Fashion Industry. The Decision eventually did go in our Favour though, because of the genuine Look and the understanding we showed towards the Brand’s Requests. According to La Prairie: ‘The best One won!’
Press Release HORIZONT
Decentral Online Strategy
Spark
Our Assignment seemed simple enough at first: to bring the new German Fanta Campaign ‘Drink Fanta, live more colorfully’ to life on the Web.
But we knew that bringing more Color into the real Lives of our Users would take more Effort than just splashing some Orange around. Besides, we wanted to do more.
So we claimed the entire digital Space as Fanta’s Playground. We built multiple Platforms: a Microsite on MySpace, a Homepage Takeover on bravo.de, and of course a Campaign Annex on fanta.de. Rounding out our Multi-Platform Approach were Newsletters and a massive Banner Campaign.
But we knew that bringing more Color into the real Lives of our Users would take more Effort than just splashing some Orange around. Besides, we wanted to do more.
So we claimed the entire digital Space as Fanta’s Playground. We built multiple Platforms: a Microsite on MySpace, a Homepage Takeover on bravo.de, and of course a Campaign Annex on fanta.de. Rounding out our Multi-Platform Approach were Newsletters and a massive Banner Campaign.
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As is so often the Case in a World where the Digital Agency gets briefed only after the Ad Campaign has already been invented somewhere else, we were tasked to make the global Idea work in Germany and gave Tonality, Setting and Characteristics of the Story a clever Twist for the Requirements of our Market.
Awards DDP 2009 - 2 x Bronze / Mobius Award - First Place Mobius Award 2008 / One Show Interactive 2008 - Merit Award {Global Toolkit} / New York festivals international advertising award 2008 - Animation - World SilverMedal {Global Toolkit}
Recognition Selection - Germany’s Finest Agencies / Annual Multimedia / FISCHER’S ARCHIV - Lead Campaign of the Month 07/09
Brand Site/Campaign
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The visual Universe of the new global Brand Campaign ‘The Coke side of life’ is truly amazing - a mind-blowing TVC {‘Happiness Factory’ by Wieden/PSYOP} and the illustrative Sixties Splash Style developed by AKQA. But the Question now was how to combine such solitary Components and turn them into a seamless, digital Experience for German Coke Fans?
‘Best Online Adaptation of a Coke Campaign and first international Trial of a Commercial Use of a Web 2.0-platform in the Coke Universe.’ Mark Greatrex, SVP Marketing Communications and Insights
‘Long-term Brand Platform offering Opportunities way beyond your average integrated One-Off, incorporating Music, Art and Online.’ Contagious 13
‘It was, amongst other Things, just the right Time for Coca-Cola to operate the target-group-specific Development of the Brand through the Web. That’s where the Impulse springs from now, the conventional Sector today becomes less and less important.’ PAGE 01/07
Spark
‘Freedom within a Framework’ was our Motto. A Firework of dynamic Contents alongside a subtle Animation Concept paid off and made the Site not merely a Success but a Master Sample for various local Market Adaptations.
Awards New York festivals interactive new media award 2007 - Bronze WorldMedal / Deutscher Designer Club - GUTE GESTALTUNG.07 - Bronze / Favourite Website Awards [FWA] - Site Of The Day / Annual Multimedia Award 2007 / DDP 2008 - Silver
Recognition Jahrbuch der Werbung 2007 / PAGE 01/07 / VISUAL-X / Newstoday® / NewWebPick
Campaign Platform
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Seen as a global Language, Football can at its best turn Enemies into Opponents.
After pitching successfully, we were given the challenging Task to play a Part in contributing to the transnational Identity with the Online Campaign ‘WE ALL SPEAK FOOTBALL’. The Aim was to establish Coke as Fan-Brand Number One at the FIFA WM™ 2006.
After pitching successfully, we were given the challenging Task to play a Part in contributing to the transnational Identity with the Online Campaign ‘WE ALL SPEAK FOOTBALL’. The Aim was to establish Coke as Fan-Brand Number One at the FIFA WM™ 2006.
Spark
The Fans and their Enthusiasm are at the Core of the Campaign - both in Form and Content. Drawing on a highly aesthetical visual Language that works on an emotional Level but abandons national Stereotypes or Clichés, we allowed for a multi-ethnic Response that reflected and appreciated the universal Passion for the Sport. Developed in eleven different Languages, the global Rollout was composed of ten Modules for sixty markets.
argonauten G2 cooperated as creative Lead Agency together with Panini Group / Tokenzone / Agência Click / Ogilvy, Thailand / Wieden, Amsterdam / AKQA, U.S. and FIFA.
Recognition Who’s Who in Design, Vol 3 / Selection - Germany’s Finest Agencies
Pitch/Branding Campaign
Spark
The most innovative, radical, and out-there Designs come up in Pitches, where they solely serve the Purpose of conveying a complex visual Idea or Set of Ideas to the Client Way before the painful Reality strikes in, taking into Account constricting Market Conditions such as Costs and Feasibility.
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What makes it all the more sad is that due to legal Regulations it is impossible to feature any of these Designs or modify them for any other Purpose. At least here is an Attempt to cheat Injustice: illustrative Mock-Ups created for a global Pitch Project. Completely freed from every Bit of Bondage regarding Functionality and Branding and quasi anonymised. Do you recognise which Client this is for?
Sleights
Directed Photography/Collaboration
Multiple Self Exposure
Multiplied Sequence for a StopMotion Animation.
Produced in Collaboration with Photographer Roman März.
Produced in Collaboration with Photographer Roman März.
Sketch/Model/Machine
Object Marker, Motor, Glue
Exploring the Disappearance of artistic Authorship behind the Piece: Terby is a dumb Object. Just like the same-named Protagonist in Bret Easton Ellis’s ‘Lunar Park’, it aggressively rotates around itself leaving behind no more than black Traces.
Exhibit/Group Show/Collaboration
Spatial Work, Environment Print {200×300 cm}, Acrylic on Wall, Balls / Dimension variable
A Collaboration between Jan Pautsch.Lilienthal, Veysel Oender {Amok} and Roman März.
“‘The Black Hit of Space’ is an Experiment, an experimental Design Set Up in order to find out what emerges from the close Collaboration between a Photographer, an Ex-Writer and an Artist. What happens, if three individual forms of artistic Expression co-occupy a Space? And, what if the title ‘The Black Hit of Space’ serves as the Inspiration to the Project? The Outcome is a room-encompassing Installation - both attacking and absorbing. An interplay of Forces, that distinctively continues in our further Projects.”
BLAKHTFSP3 {TheBlackHitOfSpace™}
“When the Exhibition, ‘BACKJUMPS – The Live Issue’ opened, it hit like a Bomb. Within six Weeks up to 12,000 visitors wanted to see the Rooms decorated by Street Artists of the Kunstraum Bethanien in Berlin.” Die Zeit.de
BACKJUMPS - The Live Issue #3, Urban Communication und Aesthetics, Kunstraum Kreuzberg/Bethanien, Berlin
Participating Artists and Projects: Anti privé, AKIM ONE NGUYEN, ASH, Blu, CEMNOZ, CUBABRASIL - Berlin, Dave the Chimp, Brad Downey, Graffitimuseum, HuskMitNavn, Jay One Ramier, Carlos Mare139 Rodriguez, Mode 2, NOMAD, Migratory Birds of the Solovei Republic, Reclaim your City, Oliver Rodriguez-Kroll, SKKI, StudioAnti™, Study of Style, Surrend, Daniel Tagnoe, Veysel Önder/ Jan Pautsch.Lilienthal BLAKHTFSP3 {TheBlackHitOfSpace™}, ZEVS
Press Feedback: art-in-berlin.de / spex.de / de-bug.de
Publication: BACKJUMPS: The Live Issue #3
Exhibit/Group Show
Object Coaldust, Paraffin, Curd Soap, Mirror Display
‘Black and White’, ‘Good and Bad’, ‘Clean and Filthy’ - Taking into Account such last-century Terms, {rotationstwin} liberates Products from their primary Coding in Order to provide Scope for continuous Development, and thus, give Way to entire new Dimensions of the Here and Now.
sin-berlin, a unique Exhibition-Cum-Shop in Berlin, offered Products from various Manufacturers in limited Editions - exclusively designed for a one-month-only Exhibition in a very special Showroom.
‘Opening for a Month in Berlin’s trendy Mitte District, the Project also known as “sin-berlin” is a curious Mixture of Exhibition and Shop, where more than 70 international Designers, Architects and Artists will create unusual Products exclusively for the aforementioned Department Store.’
Press Feedback Berliner Morgenpost / Deutsche Welle / Die Welt
Exhibit/Group Show
Audiovisual Installation Helium filled illuminated Ball, Ticker Projection, Sound
‘The full Moon above the Glass Box, as well as the hoarse electronic Voice of the Computer Brain from Godard’s Film ‘Alphaville’, that calls out every so often, both combine with the Architecture of the technical Monument - ‘Science Fiction or Moon above the Kurfürstendamm’ delivers an absurd Statement on the Hype and Glamour that determined the Turn of the Twentieth Century and, at the same Time, initiates a romantic Element to the omnipresent Take-Over of Power through electrical Machines and Devices. Dr. Ute Tischler, Curator ‘countdown west 2k’
countdown west 2k / Traffic Station, Kurfürstendamm
A Project by Triad Berlin for Reemtsma
Press Feedback Berliner Zeitung
Exhibit/Solo Show
Audiovisual Installations / Spatial Works, Machines, Models
Götterdämmerung Postmoderne Sensibilia Kameralmat ONTOM Atlantis N O NAME CO. Morgenlandduft Tafelbilder, Tomaten, Transpiration DAZED & CONFUSED The Luminous Image WUNDERKAMMERN Der Stein aus dem All post naturum Augenladen Leipziger Sezession Dead Poet Dreaming Aufstieg und Fall der Moderne Esprit today Das Archiv Franz Kafkas DO ALL OCEANS HAVE WALLS? Figur Weiblich Der Gestus des Fliessens Desire and Demand CS|VI Im Kaleidoskop Die Unruhe und die Zufriedenheit oder die Tragödie des Scheiterns Contenance Ground Das Grosse Dadagluten Bestiarium Nr.1 Blizzard seventyseven Mehr als ich The art of vision FORMALISMUS System höherer Vernunft SUPERmarkt DAS MÄDCHENZIMMER DAS BESTECK DES MARQUIS DE SADES Restpfennigaktien Zolpereien IN VITRO künstliche Bedenken Tief in Material eintauchen, dort wo alles zerrinnt 8×8x8 SEHENSEHEN Mundgerecht Rheingold Radarraum Strategien der Verweigerung Die Spur des Sublimen Erinnerungen an den Zufall Das geheime Museum des Führers Arbeiten im Dunkeln re.edit Winnetou Dig, Dag und Digedag DER ELEKTRISCHE KRIEG Die Gleichzeitigkeit des Anderen Groß einsteigen und dünn auslaufen Inszenierung einer Ansammlung Das Zimmer Gregor Samsas m.e.s.s.a.g.e. Störtebeckers Kopf Schloß der Obsessionen BIG BLUE Regel und Abweichung BLAST THEORIE Der getanzte Luis der XIV. tanzt drinnen und draußen CRYMOG Malbund ni Nicht Summe, nicht Synthese Quintessenz! ZAHLEN, NUMMERN, ZIFFERN Das Eingemachte SPACE PILOTS: Ziolkowski meets Janke VON DER WIRKLICHKEIT DES TRAUMS Zeichen/Fluten/Signale Zeit der Götter Auge um Auge Das Konzert des Äon Applausmaschine Der Ort/die Zeit/Das Plus Die Bombe und der Geist
“The Magic that derives from electronic Devices within the Process of creating Reality - including Art - is reduced on the Surface and, eventually, obliterated. Taking apart the Object’s visual and functional Integrity, the Artist equally causes the Disappearance of some sort of semantic Profile. Lilienthal’s Cut isolates the Spectator from the visual Experience by using a Rewind-Mode. One can’t see, or can hardly see, anything. At this crucial Point, the Artist [such as Siegfried and Roy] tries to catch all the People within the Audience who do not believe in Magic.”
Dr. Ute Tischler, Curator
Five Works in Reference to Dave Hickey
[This Mortal Magic / Essays on Art & Democracy]
Parkhaus, Berlin
Exhibit/Group Show
Object Moving Message Boards, Photograph,
Excerpt from Richard Prince: The Perfect Tense, Why I Go to the Movies Alone
‘She had to be condensed and inscribed in a Way that his Expectations of what he wanted her to be, {and what he wanted to be too} could at least be possibly, even remotely, realized. Overdetermination was Part of his Plan and in a strange Way, the same kind of psychological After-Life was what he loved, sometimes double loved about her Picture.’ Richard Prince: The Perfect Tense, Why I Go to the Movies Alone, Tanam Press, N.Y. 1983
Specs
I grew up in the former East Berlin.
This Life behind the Curtain taught me: There’s no Magic in Magic!
So I started to study the seven Basic Principles of Magic:
Palm, Ditch, Steal, Simulation, Load, Misdirection and Switch.
And I was conditioned by a sort of constant Negation
which sparked my Obsession with flawless Surfaces
that suddenly spring Cracks.
So I was always somehow more interested in the Deconstruction
of Images than in their Production.
That’s why Graphic Design doesn’t interest me.
But that’s also why Art somehow became my Buddy.
Later I fell in Love with Art’s Siamese Twin, Advertising -
you Beautiful Art of Capitalist Popculture.
For me, the Beauty of my Job lies in:
The Leap of the Imagination with
a commercial Consequence.
{Thanks, Fallon}
I am involved in Times of Change again. New, light Speedboats
confuse the heavy Tanks of Convention.
Strategies of Art, Design, Advertisement, Fashion,
Science, Culture and Street interfere and collide.
I remain hungry for simple and credible Stories for the right People
for the right Brand and with the right Opportunity.
I am starving for visual Narratives - they twist my Reality.
They serve as Lovesongs, Songs of Magic.
MRTLMGYC {ThisMortalMagic™} Label and Showcase of Jan Pautsch.Lilienthal, Creative Director, lives and works in Berlin.
Conceptual Work, Design Direction, Executions and Artistic Projects.
Working in the Position of Creative Director at argonauten G2 in Berlin, Jan develops and supervises Digital Campaigns
for a broad Range of Clients like Coca-Cola, Volkswagen, La Prairie, Swatch and The Berlin Philharmonic Orchestra.
He has won both national and international Awards such as LeadAwards {Gold}, Art Directors Club Global {Gold}
and New York Festivals {also Gold}.
One of the great Aspects of his Job is that it gives him the Opportunity to combine his personal Art Projects with Concepts
for Commercial Applications. Just as Artistic Expressions and Practices help to solve conceptual Problems of Digital Branding,
so too does his Artistic Approach often create commercial Consequences.
Jan has a MA Degree in Fine Arts from New York University and a BA {Hons} in llustration from Camberwell College of Arts, London.
He also completed a Master Class and Diploma in Communication Design at the School of Art and Design Berlin-Weißensee {KHB}
Besides his current Job at argonauten G2 and a constant Stream of Artist Collaborations, Jan teaches Media Design
at Beuth University of Applied Sciences, Berlin, and has spoken at Major Conferences {most recently, at the OFFF 2009,
International Festival for the Post-Digital Creation Culture in Lisbon, Portugal}.
He served as a Member of the Jury for the Catgory ‘Best Creative Design and Usability’ at the 2009 German IPTV Award.
His Work has been showcased at Eight Floor in New York and Art Forum Berlin among other Places {BACKJUMPS,
dirty windows, Glue, sin and S.S.K.} and was featured in international Art and Design Publications and Online Mags such as
Crossmedia Design by NewWebPick, IdN, The FWA, spyline, Computerlove, Reform & Revolution {R²}, Netdiver and QBN®.
He is always looking for Creative Exchange on all Levels and is genuinely open to Artistic Projects and Collaborations.
For him these Interactions are essential Sparks in the Dark Space of Mortality, making him experience the Here and Now
as a Place of constant Transformation.
Allianz / Bacardi Martini / BAT Group: Kent /
Beiersdorf: Nivea, Juvena of Switzerland,
La Prairie Switzerland / Coca-Cola Germany,
The Coca-Cola Company, The Coca-Cola
Europe Group / Pernod Ricard: Ballantine’s /
P&G Prestige: REPLAY your fragrance! / Swatch /
T-Com / The Berlin Philharmonic Orchestra /
Toshiba / Volkswagen
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Beiersdorf: Nivea, Juvena of Switzerland,
La Prairie Switzerland / Coca-Cola Germany,
The Coca-Cola Company, The Coca-Cola
Europe Group / Pernod Ricard: Ballantine’s /
P&G Prestige: REPLAY your fragrance! / Swatch /
T-Com / The Berlin Philharmonic Orchestra /
Toshiba / Volkswagen
More than 30 Awards in the last 3 Years for 10 different
Non-Fake Client Projects e.g:
Non-Fake Client Projects e.g:
Cannes Cyber Lions - Shortlist / ADC Global Gold Cube Interactive / 2x LIA Awards /3x One Show Interactive / LeadAwards - Gold / 4x NY festivals / 2x First Place Mobius Award / FAB Creative Excellence Award / 2x The FWA Site Of The Day
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Art Forum Berlin / ArtSchoolVets! /
BACKJUMPS - The Live Issue / Computerlove /
Crossmedia Design, NewWebPick / DesignCharts /
dirty windows / Eight Floor NY / Glue / IdN /
Netdiver / OFFF / PAGE / QBN® /
Reform & Revolution {R²} / Selection / spyline /
sin / S.S.K. / The FWA / Website Design Awards /
Who’s Who in Design
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BACKJUMPS - The Live Issue / Computerlove /
Crossmedia Design, NewWebPick / DesignCharts /
dirty windows / Eight Floor NY / Glue / IdN /
Netdiver / OFFF / PAGE / QBN® /
Reform & Revolution {R²} / Selection / spyline /
sin / S.S.K. / The FWA / Website Design Awards /
Who’s Who in Design
Pattern of No / Minus Figure / CAMP DISCO /
Terby {Drawing Defense} / Turning Tricks /
The Black Hit of Space / {rotationstwin} /
Science Fiction or Moon above Kurfürstendamm /
It’s Magic if it happens and if it doesn’t, it doesn’t
matter / Why I Go to the Movies Alone /
Flori, Eric and Paul / All Work No Play /
Great Stuff Priced Right!
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Terby {Drawing Defense} / Turning Tricks /
The Black Hit of Space / {rotationstwin} /
Science Fiction or Moon above Kurfürstendamm /
It’s Magic if it happens and if it doesn’t, it doesn’t
matter / Why I Go to the Movies Alone /
Flori, Eric and Paul / All Work No Play /
Great Stuff Priced Right!
Higher Powers commanded this Site and MRTLMGYC is very grateful to
Jan for Technical Expertise, Judd for Enlightment, Pam for Transformation, Sven for Camouflage, Roman for Exposure
and Benni for Special Effects.
Foto: Roman März
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